Our Global Art Passport has reached it’s next destination…Europe. All Year groups will learn about the art and culture of a variety of regions and countries through Europe while answering the ‘Essential Question’: How can learning about EUROPE influence our art making? Have a look at the art work the children have created:

Year 6 The Scream by Edvard Munch About ‘The Scream’ According to Edvard Munch, the inspiration for this painting was drawn from a past event. “The Scream” was a result of the anxiety and fear he felt on a day while walking with two friends. The serene atmosphere, which he had hoped to enjoy, was suddenly interrupted by changes in the sky, caused by the setting sun. To Munch, the landscape seemed engulfed in red flames, triggering an unnerving sense of fear in him. Munch said “The flaming clouds hung like blood.”

Our Year 6 children thought about why people may scream. Is it always for a bad reason, or could it be when someone is over excited or happy. The children then used oil and chalk pastels to create their backgrounds before adding a photo of them screaming. As you can see the end results are totally amazing!!

CANAL HOMES – HOLLAND

The CANAL HOMES in HOLLAND are typically skinny, high and deep buildings that overlook a canal. The buildings typically serve multiple purposes: as homes, businesses and even storage units. Because of their proximity to the water, there is an increased risk of flooding, so the front door is not typically on the ground floor, but seven to nine steps above the street level. Canal houses traditionally featured a pulley system that was used to hoist up valuable goods to the attic so they wouldn’t be damaged by water.

The children studied the archtecture of these houses, along with the individuality of the houseboats and used a variety of media, including Sharpies, crayons and watercolours to created these two wonderful styles of homes.

Year 5 SWISS CHALETS – SWITZERLAND

Swiss CHALETS, a style of architecture seen in SWITZERLAND, are as well known as the country’s famous chocolate. These homes dot the landscape of the Swiss Alps, a large mountain range that runs through Switzerland. Long, sloping roofs that drip with snow, exterior beams and outdoor decks popularize these dwellings. Colourful paint and decorative shutters add whimsy to this style of architecture.

The children painted their backgrounds before designing their chalets and then using collage to create them.

Year 4 THE EIFFEL TOWER – PARIS, FRANCE

The EIFFEL TOWER was built in 1889 to serve as an entrance to the World’s Fair in Paris, FRANCE. It was originally supposed to be torn down after 20 years, but is still standing today and is one of the most recognisable structures in the world. Nicknamed the “Iron Lady”, the Eiffel Tower stands tall at 324 metres)in height and was at one time the tallest building in the world. However, did you know that it’s not exactly that tall all year round? Due to the natural ability of metal to expand when warm and contract when cold, in the winter the Eiffel Tower is about 15cm shorter than it is in the summer.

As architects, the children had to combined art and maths in this lesson to ensure their Eiffel Tower was symmetrical. This was a challenge as the children had to fold their paper in half before drawn and cutting out ‘half’ the Effiel before opening their paper to reveal the ‘whole’ Eiffel Tower. The children then glued their tower onto their blueprint that they had created using parallel and perpendicular lines and then added facts about the Eiffel tower onto them. This lesson took a lot of resilience and perserverence, but all the children were pleased with their finished piece.

Year 3 Terrace Home and The King’s Guard

ABOUT CINQUE TERRE & SANTORINI CINQUE TERRE, which translates into “five lands” is a group of five island villages, featuring vibrantly coloured homes in northwestern Italy. The landscape of the islands is steep and rugged with rocky cliffs. To be able to build homes on the cliffs along the coastline of the Ligurian Sea, it was necessary to build TERRACES. Terracing means cutting slopes into a series of receding, flat platforms to give a surface for buildings to be built upon. Without buildings on top, terracing resembles steps, with the widest terraced area near the bottom of the slope and the smallest terraced area at the top. SANTORINI is a popular island in Greece that was formed by volcanic eruptions. In Santorini, low cubical buildings made from local stone are built along the rocky cliffs. Many are either white or coloured with volcanic ash.

Mrs Pearson went on holiday and took a photo of terrace homes she saw on her travels…just to further inspire the children.

The children used a range of skills including, drawing, colouring and collage, to created their charming terrace homes. I think they have done a fantastic job – don’t you?

The KING’S GUARD (also called the Queen’s Guard when the reigning monarch is female) are the military regiments responsible for guarding the royal residences in the UNITED KINGDOM, including Buckingham Palace in London. The usual uniform of a King’s Guard is a red coat and tall bearskin hat.

The children painted their Union Jack background beofre using their drawing and collage skills to create their King’s Guard. As you can see, each one is as unique as the children who created them!

Year 2 FOLK ART FOXES – Throughout EUROPE

Foxes are best known for their large pointed ears and their bushy tails. The word “fox” originated from ancient Indo-European language and means “thick-haired tail.” Foxes live in a vast array of habitats; from temperate forests to the snowy arctic. They are found on every continent except for Antarctica. The red fox is widespread throughout Europe and are found in both the countryside and urban areas.

For this project the children were focusing on shape, pattern and negative space. During the lesson, once we had drawn the fox, we concentrated on mindfulness and listened to calming music while creating our masterpieces.

Year 1 TURF HOUSES – ICELAND

Turf houses are a traditional style of home found in ICELAND. The turf house came about for two reasons: a harsh climate and the lack of available wood for building. Because Iceland was lacking in large trees suitable for building when settlers arrived, they had to get creative with building materials and conserve the timber that they did have. Instead of building the entire home out of wood like their Scandinavian neighbours, they instead made a foundation out of stone, built a wooden frame and then used the abundantly available turf to insulate the homes and even put it on top of the roof! The byproduct of turf homes were naturally insulated homes that offered protection from very cold winters, while also remaining cooler in warmer months. Sometimes the only visible wood was the door of the house, while other times the facade of the home was built with wood.

The children were very brave and only used a Sharpie to draw their houses, so they had to work with any little mishaps that they made. They then carefully coloured them in beofre using their collage skills to add the turf roof and a door that opens to reveal what the inside of the house looks like.

Reception STARRY NIGHT – HOLLAND

Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village.

The children learnt about Van Gogh before working as a Year group to created this stunning collage. Each child had anA4 part of the picture that they coloured using oil and chalk pastels. We then glued each piece together to recreate the whole picture.

This animation has long been a Christmas favourite, with children and adults alike. The children watched this and then chose a scene to illustrate. I was overwhelmed by their amazing illustrations….and I am sure you will be too. I bet you will find it impossible to chose a favourite!

A Visit from St. Nicholas

BY CLEMENT CLARKE MOORE

‘Twas the night before Christmas, when all through the house

Not a creature was stirring, not even a mouse;

The stockings were hung by the chimney with care,

In hopes that St. Nicholas soon would be there;

The children were nestled all snug in their beds;

While visions of sugar-plums danced in their heads;

And mamma in her ‘kerchief, and I in my cap,

Had just settled our brains for a long winter’s nap,

When out on the lawn there arose such a clatter,

I sprang from my bed to see what was the matter.

Away to the window I flew like a flash,

Tore open the shutters and threw up the sash.

The moon on the breast of the new-fallen snow,

Gave a lustre of midday to objects below,

When what to my wondering eyes did appear,

But a miniature sleigh and eight tiny rein-deer,

With a little old driver so lively and quick,

I knew in a moment he must be St. Nick.

More rapid than eagles his coursers they came,

And he whistled, and shouted, and called them by name:

“Now, Dasher! now, Dancer! now Prancer and Vixen!

On, Comet! on, Cupid! on, Donder and Blitzen!

To the top of the porch! to the top of the wall!

Now dash away! dash away! dash away all!”

As leaves that before the wild hurricane fly,

When they meet with an obstacle, mount to the sky;

So up to the housetop the coursers they flew

With the sleigh full of toys, and St. Nicholas too—

And then, in a twinkling, I heard on the roof

The prancing and pawing of each little hoof.

As I drew in my head, and was turning around,

Down the chimney St. Nicholas came with a bound.

He was dressed all in fur, from his head to his foot,

And his clothes were all tarnished with ashes and soot;

A bundle of toys he had flung on his back,

And he looked like a pedler just opening his pack.

His eyes—how they twinkled! his dimples, how merry!

His cheeks were like roses, his nose like a cherry!

His droll little mouth was drawn up like a bow,

And the beard on his chin was as white as the snow;

The stump of a pipe he held tight in his teeth,

And the smoke, it encircled his head like a wreath;

He had a broad face and a little round belly

That shook when he laughed, like a bowl full of jelly.

He was chubby and plump, a right jolly old elf,

And I laughed when I saw him, in spite of myself;

A wink of his eye and a twist of his head

Soon gave me to know I had nothing to dread;

He spoke not a word, but went straight to his work,

And filled all the stockings; then turned with a jerk,

And laying his finger aside of his nose,

And giving a nod, up the chimney he rose;

He sprang to his sleigh, to his team gave a whistle,

And away they all flew like the down of a thistle.

But I heard him exclaim, ere he drove out of sight—

“Happy Christmas to all, and to all a good night!”

The children read through this iconic Christmas poem before selecting part of it to illustrate. Can you see what part of the poem each illustrator has chosen?